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                  <text>A bibliographic dictionary of women writers from or associated with Co Tipperary, covering the period 1800-2000. &lt;br /&gt;&lt;br /&gt;This represents a subset of data, gathered by the Munster Women Writers Project during its lifetime. &lt;br /&gt;&lt;br /&gt;All entries are as published on the original Munster Women Writers Project website 2007-2013. &lt;br /&gt;&lt;br /&gt;*Information has not been updated or corrected since original publication.*&lt;br /&gt;&lt;br /&gt;Project output was also made available in hard copy as print publication &lt;em&gt;Dictionary of Munster Women Writers, 1800-2000,&lt;/em&gt; Tina O'Toole (editor), published in 2005 by Cork University Press.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;*Munster - a province in the geographical south of the Republic of Ireland. &lt;a href="https://www.logainm.ie/1165971.aspx"&gt;https://www.logainm.ie/1165971.aspx&lt;/a&gt;</text>
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Munster Women Writers Project</text>
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              <text>Una Troy was born in Fermoy, Co. Cork but moved to Clonmel when her father was appointed a District Justice in 1922.  She was educated in Dublin.  The family spent their summers in Bonmahon, Co. Waterford, where Una met Joseph C. Walsh (1894-1969), a medical doctor.  They married in 1931, living in Bonmahon briefly, before moving to Clonmel.  They had one daughter.  Having written poetry in her teens, she began her publishing career in 1936, using the pseudonym "Elizabeth Connor".  Her first novel, Mount Prospect, was published in England in 1936 but was banned in Ireland.  Her second novel, two short stories and four plays written for the Abbey in the 1940s were written between then and 1947, all under the same pseudonym.  Her plays were possibly better -known than her other writing during this period.  She shared the the Abbey prize competition for new playwrights with her play Mount Prospect, a three-act tragedy.  This was produced by Frank Dermody with the stage setting designed by Anne Yeats.  It ran for twelve performances at the Abbey and had a week's run at the Cork Opera House.&lt;br&gt;Una Troy ceased to publish for a period from 1947-1955 when she resumed her publishing career again with We Are Seven (1955), this time using the name "Una Troy".  She wrote a further fifteen novels, a short story and co-wrote a film script She Didn't Say No based on her 1955 novel.  Her novels, set in rural Waterford, were very popular during the 1950s and 60s.  Published in England and the USA, her novels were translated and some were serialised (the Irish Independent serialised The Brimstone Halo in 1965).  Her short stories were published in The Bell, Ireland Today and the Kilkenny Magazine.  When her husband died in 1969, Una moved to the summer house in Bonmahon where she resided until her death in 1993.&lt;br&gt;Two of Una Troy's sisters were also involved in the arts.  Her youngest sister, Shevaun (1923-1993), was a poet (q.v.), and their sister, Gráinne (1913-1970), who taught at the Sedgely Park Training School in Manchester throughout her life, published some musical compositions in the 1930s.&lt;br&gt;Note: Ann Butler has compiled a bibliography of Troy's work, which is held by the National Library of Ireland.</text>
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              <text>Mount Prospect	New York	D. Appleton-Century	1936&#13;
Review of Mount Prospect, by Una Troy		Dublin Magazine	1937&#13;
The White Glove		Ireland Today	1937&#13;
Review of Dead Star's Light, by Una Troy		Dublin Magazine	1938&#13;
The Apple	The Bell		1942&#13;
We Are Seven	New York	Dutton	1955&#13;
Maggie	New York	Dutton	1958&#13;
She Didn't Say No	[Film Script]		1958&#13;
The Workhouse Graces	New York	Dutton	1959&#13;
The Other End of the Bridge	New York	Dutton	1960&#13;
Review of The Other Side of the Bridge, by Una Troy		Kilkenny Magazine	1961&#13;
Esmond	New York	Dutton	1962&#13;
Meine drei Ehemanner: Ein heiterer Roman aus Irland ...	Munich	Goldman	1964&#13;
The Brimstone Halo	New York	Dutton	1965&#13;
The Best Butter	Kilkenny Magazine		1966&#13;
The Benefactors	London	Hale	1969&#13;
Tiger Puss	London	Hale	1970&#13;
The Castle that Nobody Wanted	London	Hale	1970&#13;
Stop Press!	London	Hale	1971&#13;
Doctor, Go Home!	London	Hale	1973&#13;
Out of the Everywhere	London	Hale	1976&#13;
Caught in the Furze	London	Hale	1977&#13;
A Sack of Gold	London	Hale	1979&#13;
So True a Fool	. London	Hale	1981&#13;
The Apple	Woman's Part: An Anthology of Short Fiction by and about Irishwomen 1890-1960	Arlen	1984&#13;
The Dark Road	Abbey Theatre	Michael J. Dolan (Prod.)	12 May 1947&#13;
Mount Prospect	Abbey Theatre	Frank Dermody (Prod.)	22 Apr. 1940&#13;
Swans and Geese	Abbey Theatre	Frank Dermody (Prod.)	22 Sept. 1941&#13;
An Apple a Day	Abbey Theatre	Frank Dermody (Prod.)	7 Sept. 1942&#13;
Better to Burn	[Novel] NLI Collection List no. 56. Mss. 35.683-699		n.d.</text>
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              <text>Daughter of a small landowner from Clonmel, Marguerite Power had an interesting and varied career.  Her childhood was dismal, due to her father's violent temper.  He was regarded as a traitor to the Catholic cause as a result of his efforts to put down the '98 rising in the area.  Forced by him to marry at the age of fifteen, she fled from her violent husband, Captain Farmer after three months, returning to live with her parents.  Farmer's military career ended when he drew a sword on his commanding officer in a quarrel - he was allowed to resign and friends shipped him to the East Indies.  He returned to England in 1816, and died after a fall from a window ledge at Fleet Prison during a drunken party.  By that time, his widow had left Ireland for London, residing first in the fashionable Manchester Square, and then later at St.James' Square, where she soon earned a reputation as a famous hostess.  Her biographer asserts that her conduct after the separation was beyond reproach, which suggests that there were rumours of indiscretions.&lt;br&gt;&lt;br&gt;In 1818, a few months after Farmer's death, Marguerite married Charles John Gardiner, Earl of Blessington.  Their shared tastes were extravagant, and his estates heavily in debt.  They went abroad in 1822, visited Byron in Genoa, and lived on the Continent until Blessington's death in 1829.   The Count d'Orsay travelled with them, first as a friend, and then married the Earl's daughter.  Following the Earl's death, this marriage broke up, and the Count set up home next-door to Lady Blessington in London, their relationship causing scandal for many years.&lt;br&gt;After her husband's death, she supplemented her considerably reduced income by writing novels, and contributing to various publications as author or editor. The Idler books were popular for their gossip, anecdote and sentiment.  Her novels seem to have mainly consisted of fictionalised accounts of the lives of the aristocracy, as Tynan points out: "Lady Blessington introduces to her readers the leading representatives of art, literature, politics [...] whom she has received as friends or met in society" (Cabinet of Irish Literature vol.4).  She also edited The Keepsake and The Book of Beauty for several years, as well as contributing sketches and articles to other periodicals of the day.  Despite her large earnings, she went bankrupt and fled to Paris in 1849, where she died of apoplexy.</text>
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              <text>The Magic Lantern, or, Sketches of Scenes in the Metropolis	London	Longman, Hurst, Rees, Orme, and Brown	1822	&#13;
Sketches and Fragments			1822	&#13;
Conversations with Lord Byron	Colburn's New Monthly Magazine		1832	&#13;
Grace Cassidy, or The Repealers			1833	&#13;
Meredyth			1833	&#13;
Journal of Conversations with Lord Byron			1834	&#13;
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The Victims of Society	Paris	A &amp; W Galignan	1837	&#13;
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Memoirs of a Femme de Chambre	Leipzig	Bernhard Tauchnitz	1846	&#13;
Marmaduke Herbert, or, The Fatal Error	Leipzig	Berhard Tauchnitz	1847	&#13;
Country Quarters	Leipzig	Bernhard Tauchnitz	1850	&#13;
The Confessions of an Elderly Lady and of an Elderly Gentleman	London	Simms and McIntyre	1853	&#13;
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The Confessions of an Elderly Lady	[Unpublished]	n.p.	n.d.	&#13;
Desultory Thoughts and Reflections	[Unpublished]	n.p.	n.d.	&#13;
Tour Through the Netherlands to Paris	[Unpublished]	n.p.	n.d.	&#13;
The Lottery of Life	[Unpublished]	n.p.	n.d.	&#13;
				&#13;
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Blessington-D'Orsay: A Masquerade	Sadleir, Michael	London	Constable	1933&#13;
The Literary Life and Correspondence of the Countess of Blessington	Madden, R.R.	London	T.C.Newby	1855</text>
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              <text>Tá Mary ag cur fúithi i Ros Cré, Co. Thiobraid Árann. "Bhí Lá le Mamó ar ghearrliosta Bisto Book Awards 1994 agus Mamó Cois Trá ar ghearrliosta Readers' Association Awards 1995." (Uí Nia 1998, 1).  Bronnadh an "Hennessey Literary Award" agus an "Sunday Times/CWA Short Story Award" uirthi i 1991 chomh maith leis an "International White Ravens Title" i 1997.  Mhaisigh sí an leabhar Daisy Bates (An Gúm, 1999), a scríobh Elizabeth Monkhouse agus Emmet Arrigan. &lt;br&gt;Mary Arrigan was born in Co. Kildare but now lives in Roscrea, Co. Tipperary.  She studied at the National College of Art and Design in Dublin and also studied Art History at UCD.  She taught art for eighteen years and exhibited paintings and sculpture in both solo and group exhibitions.  She began writing stories for radio and magazines in the mid-1980s and left teaching to write and illustrate children's books on a full-time basis in 1994.  Writing in English and Irish, she has produced and illustrated a total of twenty-seven books for children of all ages.  Many have been translated into Dutch, German, Polish and Swedish.  She also illustrated an Irish publication on the life story of Daisy Bates, written by Elisabeth Monkhouse and Emmett Arrigan.  She broadcasts short humorous stories on RTE Radio every week, writes a monthly children's book review for The Sunday Tribune and was also commissioned to write for the BBC in July 2001.  She  has received several awards including the Sunday Times/CWA Short Story Award (1991), a Hennessy Literary Award (1993) and an International White Ravens Title (1997) in Munich.&lt;br&gt;Her next book Larkspur and the Grand March is due out in 2003.</text>
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              <text>Lá le Mamó.	Litríocht Leanaí.	Baile Átha Cliath:	An Gúm,	1993	&#13;
Andy, Zeph and the Flying Cottage.	Children’s Writing.	London:	Hamish Hamilton,	1994	&#13;
Mamó Cois Trá.	Litríocht Leanaí.	Baile Átha Cliath:	An Gúm,	1994	&#13;
An Scáth Báistí.	Litríocht Leanaí.	Baile Átha Cliath:	An Gúm,	1994	&#13;
Saving the Dark Planet.	Young Adult Fiction.	Dublin: 	Bright Sparks. Attic,	1995	&#13;
Searching for the Green.	Young Adult Fiction.	Dublin: 	Bright Sparks. Attic,	1995	&#13;
Dead Monks and Shady Deals.	Children’s Writing.	Dublin: 		1995	&#13;
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The Dwellers Beneath.	Young Adult Fiction.	Dublin: 	Bright Sparks. Attic,	1996	&#13;
Landscape with Cracked Sheep.	Children’s Writing.	Dublin: 		1996	&#13;
Mamó ar an Fheirm.	Litríocht Leanaí.	Baile Átha Cliath:	An Gúm,	1996	&#13;
An Bhó Fhionn [Aist. ag Eilís Ní Anluain].	Litríocht Leanaí.	Baile Átha Cliath:	An Gúm,	1996	&#13;
Seascape with Barber's Harp.	Children’s Writing.	Dublin: 		1997	&#13;
Mamó ag an Sorcas.	Litríocht Leanaí.	Baile Átha Cliath:	An Gúm,	1997	&#13;
The Spirits of the Bog.	Children’s Writing.	Dublin: 		1998	&#13;
Maeve and The Long-Arm Folly.	Children’s Writing.	Dublin: 		1999	&#13;
Nutty Knut.	Children’s Writing.	Dublin: 	Poolbeg,	1999	 [Illustrated by the author]&#13;
Siúlóid Bhreá [A Great Walk].	Litríocht Leanaí.	Baile Átha Cliath:	An Gúm,	1999	&#13;
The Spirits of the Attic.	Children’s Writing.	Dublin: 		2000	&#13;
Grimstone's Ghost.	Children’s Writing.	London:	Harper Collins,	2000	&#13;
Mamó ag an Zú.	Litríocht Leanaí.	Baile Átha Cliath:	An Gúm,	2000	&#13;
Baldur's Bones.	Children’s Writing.	London:	Harper Collins,	2001	&#13;
Ghost Bird.	Children’s Writing.	London:	Random House,	2001	&#13;
Maeve and the Goodnight Trail.	Children’s Writing.			2001	&#13;
The Goodnight Trail.	Children’s Writing.	Dublin: 		2002	&#13;
Pa Jinglebob, The Fastest Knitter in the West.	Children’s Writing.		Egmont,	2002	&#13;
Lawlor's Revenge.	Children’s Writing.	London:	Harper,	2002	&#13;
Knut and Freya in Wales.	Children’s Writing.	Dublin: 	Poolbeg,	2002	 [Illustrated by the author]&#13;
Secondary Sources:					&#13;
Léirmheas ar An Bhó Fhionn.	Ni Ghlinn, Áine	The Irish Times		24th April, 1997	&#13;
Eolaire Chló Iar-Chonnachta de Scríbhneoirí Gaeilge.	eag. Uí Nia, Gearóidín	Indreabhán	Cló Iar-Chonnachta,	1998	</text>
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              <text>Daisy O'Dwyer's origins are a little obscure - she tells us herself that she was raised by grandparents in Roscrea, Co. Tipperary, but other accounts suggest that she may have grown up in an orphanage.  She is best known for her life and travels in Australia.  She emigrated to Townsville in 1883, working first as a governess on a North Queensland cattle ranch, and then she married a stockman Edwin Henry Morant in 1884.  Kelly tells us that her husband was the famous "Breaker Morant" executed by a British firing squad during the Boer war - when Daisy met him he was a flamboyant horseman and womaniser, and their marriage barely lasted a year  (Kelly 119-120).  Daisy then married Jack Bates, another tough cattle man, in 1885, and they had a son, Albert.  Jack Bates taught Daisy how to survive in the outback, but again, this marriage was not a success.  Leaving Jack, Daisy travelled widely throughout Australia, staying with friends as she moved about.  &lt;br&gt;&lt;br&gt;She was financially ruined in the economic crash of the 1890s, and left for England, leaving her son with his father.  She lived with a cousin in Ireland, and following an introduction to W.T.Stead, began to write articles for Review of Reviews and the Pall Mall Gazette.  She moved to London and lived in a women's hostel, and although her lifestyle conformed to the New Woman stereotype, she was no fan of these early feminists.  When she recovered some of her lost money, she paid her fare back to Australia.  En route, she travelled with a Catholic priest who worked with Australia's indigenous tribes, and this was the origin of her interest in recording the languages and customs of those tribes.  &lt;br&gt;&lt;br&gt;Bates was reunited with her son, but less than twelve months later set off on her travels again - this time for Australia's north west coast.  Her first visit to the Trappist Mission in N.W.Australia is recounted in The Passing of the Aborigines (1938).  She went on to study the Koolarrubulloo tribes while living at Broome, and later lived with the Bibbulmun tribe near Perth for two years.  &lt;br&gt;&lt;br&gt;By the late 1890s, Bates was a recognised authority on Australian aboriginal tribes, she gave lectures to the Royal Geographical Society and was consulted by anthropologists.  She understood the importance of place, and kin, to these tribes, and came to be known as Kabbarli, the Grandmother, to the natives of Shark Bay.   In 1910, she was appointed as a travelling protector to the aborigines on an expedition with Radcliffe Brown, Australia's first professor of anthropology.  He intended to study the habits of a variety of tribes, but Bates was necessary to the expedition as she had already built up links with these tribes, and she was trusted by them. Their trip was a controversial one, and Bates accused Browne of stealing and plagiarising her notes.&lt;&lt;br&gt;&lt;br&gt;In-between her long spells of living in the bush, she and Jack lived together on his ranch at Glen Carrick, but they finally separated in 1912.  In the 1920s she wrote for Mee's Children's Newspaper and the Australasian.  However, her best-known work, based on her life's work, was The Passing of the Aborigines (1938).  Much of her research remains unpublished.</text>
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              <text>Hester Cooke was born in Waterford, and spent her early childhood at Moyglass, near Fethard, Co.Tipperary.  Her father was a Church of Ireland clergyman, Canon Alfred Cooke, who became the rector of Carrick-on-Suir where she was to live for twenty-eight years.  Her uncle, W.C.Cooke was a UCC lecturer in Spanish, and he provided his niece and her brother Hewitt with gifts of books, mostly natural history books, as the children were deeply interested in this subject.  Thus, she grew up with a love of the Irish natural landscape, which is reflected in her poetry.  Her brother, to whom she was devoted, went away to Aravon school at twelve, followed by Sandhurst and a career in the army.  Cooke remained unmarried, and following her mother's sudden death in 1932 she lived at home with her father, taking on many of the tasks which had been done by her mother in the church.  &lt;br&gt;&lt;br&gt;Her recently-published memoir, Rectory Days, gives an autobiographical account of her life, and illustrates the excitement occasioned in Carrick by a letter from Hewitt, who spent many years posted in Burma.  While he travelled all over the East with the army, she led a quiet life at home preparing food parcels for the families of ex-army men, reading and writing poetry.  She wrote many articles for local newspapers and periodicals,  frequently relating to the natural world, and her poems appeared in the Blarney Magazine.  She published three collections, all of which she prepared for publication on a Remington typewriter brought back from Burma.  Her correspondence reveals that she wrote at some length to Temple Lane once or twice a year.  She comments:  "She and I have much in common and we both draw our sword against Philistinism!!"  Her publication, The Mountain Road, contained tributes to President Roosevelt and General Eisenhower which Cooke sent to the two men and an undated press clipping of the period indicates that these tributes were placed in the libraries of Eleanor Roosevelt and General Eisenhower.  &lt;br&gt;&lt;br&gt;Her brother died of a tropical disease in Malta in 1954, and her father in 1958.  Cooke then moved to Cathedral Close in Waterford, where she died in 1986.</text>
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