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              <text>&lt;h3&gt;Munster Women Writers &lt;a href="conference2.htm"&gt;&lt;/a&gt;Conference Programme&lt;/h3&gt;&#13;
      &lt;h4&gt;Friday 20th July 2001&lt;/h4&gt;&#13;
      &lt;p&gt;7 pm&lt;br&gt;&#13;
        Conference Launch &amp; Registration&lt;br&gt;&#13;
        &lt;i&gt;Venue: &lt;/i&gt;Staff Common Room, North Wing.&lt;br&gt;&#13;
        &lt;br&gt;&#13;
        8 pm&lt;br&gt;&#13;
        Keynote Address&lt;br&gt;&#13;
        Prof. Janet Todd, University of Glasgow.&lt;br&gt;&#13;
        &lt;i&gt;Chair:&lt;/i&gt; Prof. Patricia Coughlan, &lt;i&gt;Munster Women Writers Project &#13;
        &lt;/i&gt;NUI Cork.&lt;br&gt;&#13;
        &lt;i&gt;Venue:&lt;/i&gt; Electrical Engineering Building, L1&lt;/p&gt;&#13;
      &lt;h4&gt;Saturday 21st July&lt;/h4&gt;&#13;
      &lt;p&gt; &lt;i&gt;Venue:&lt;/i&gt; Electrical Engineering Building, L1 9.00&lt;/p&gt;&#13;
      &lt;p&gt;9 am Registration&lt;/p&gt;&#13;
      &lt;p&gt; 9.30 - 10.45&lt;br&gt;&#13;
        Dr. Margaret Kelleher, NUI Maynooth.&lt;br&gt;&#13;
        &amp;quot;Struggles for Fame: The Publication of Nineteenth-Century Irish &#13;
        Women's Writing.&amp;quot; &lt;/p&gt;&#13;
      &lt;p&gt;Mary Breen, NUI Cork.&lt;br&gt;&#13;
        &amp;quot;Dorothea Herbert's &lt;i&gt;Retrospections&lt;/i&gt;: Text and Context.&amp;quot; &#13;
      &lt;/p&gt;&#13;
      &lt;p&gt;Dr. Tina O' Toole, NUI Cork.&lt;br&gt;&#13;
        &amp;quot;The Irish Aspect of the New Woman Question: The Work of George Egerton.&amp;quot; &#13;
      &lt;/p&gt;&#13;
      &lt;p&gt;10.45 &lt;i&gt;Coffee Break &lt;/i&gt;&lt;/p&gt;&#13;
      &lt;p&gt;11.15 - 12.45&lt;br&gt;&#13;
        Dr. Biling Chen, U Connecticut.&lt;br&gt;&#13;
        &amp;quot;Culture, Class and Gender in the Works of Edith Somerville and Martin &#13;
        Ross.&amp;quot; &lt;/p&gt;&#13;
      &lt;p&gt;Dr. Silvia Diez Fabre, U of Burgos.&lt;br&gt;&#13;
        &amp;quot;&lt;i&gt;The Real Charlotte&lt;/i&gt; and the Drishane Archive.&amp;quot; &lt;/p&gt;&#13;
      &lt;p&gt;Prof. Eil&amp;eacute;an N&amp;iacute; Chuillean&amp;aacute;in, TCD. &lt;br&gt;&#13;
        &amp;quot;The Horned Women: Women's Literary History, Folklore, and the Irish &#13;
        Woman Writer&amp;quot;. &lt;/p&gt;&#13;
      &lt;p&gt;12.45 &lt;i&gt;Lunch &lt;/i&gt;&lt;br&gt;&#13;
        A list of local caf&amp;eacute;s is available from the Registration Desk. &#13;
      &lt;/p&gt;&#13;
      &lt;p&gt;2.00 - 3.15&lt;br&gt;&#13;
        Dr. Anne Fogarty, NUI Dublin.&lt;br&gt;&#13;
        &amp;quot;Lesbian Texts and Contexts: The Fiction of Emma Donoghue and Mary &#13;
        Dorcey.&amp;quot;&lt;/p&gt;&#13;
      &lt;p&gt;Dr. &amp;eacute;ibhear Walshe, NUI Cork.&lt;br&gt;&#13;
        &amp;quot;Relocating Genius: Kate O'Brien's Critical Voice.&amp;quot; &lt;/p&gt;&#13;
      &lt;p&gt;Prof. Patricia Coughlan, NUI Cork.&lt;br&gt;&#13;
        &amp;quot;The Peig Sayers Texts: Self, Social History, and Narrative Art.&amp;quot; &#13;
      &lt;/p&gt;&#13;
      &lt;p&gt;3.15 &lt;i&gt;Coffee Break&lt;/i&gt;&lt;/p&gt;&#13;
      &lt;p&gt; 3.45 - 5.00&lt;br&gt;&#13;
        Irish Women's Writing: The Publishers' Perspective &lt;br&gt;&#13;
        &lt;i&gt;Round-table Discussion. &lt;/i&gt;&lt;br&gt;&#13;
        &lt;i&gt;Participants:&lt;/i&gt; &lt;br&gt;&#13;
        Catherine Rose (Co-Founder, Arlen House), &lt;br&gt;&#13;
        Mary Rose Callaghan (Writer and Editor), &lt;br&gt;&#13;
        R&amp;oacute;is&amp;iacute;n Conroy (Co-Founder IFI and Attic Press),&lt;br&gt;&#13;
        Dr. Mary Mulcahy (Author, &lt;i&gt;Women in Publishing Report 2001&lt;/i&gt;), &lt;br&gt;&#13;
        Jessie Lendennie (Salmon Press), &lt;br&gt;&#13;
        Jo O'Donoghue (Marino Books), &lt;br&gt;&#13;
        and Gaye Shortland (Poolbeg Press). &lt;/p&gt;&#13;
      &lt;h4&gt;Sunday 22nd July &lt;/h4&gt;&#13;
      &lt;p&gt;11-1.00&lt;br&gt;&#13;
        &lt;i&gt;Bibliographical Work and Feminist Literary Research &lt;/i&gt;&lt;br&gt;&#13;
        This session will be devoted to the technical issues arising in compiling &#13;
        a database and bibliography of literary research. This workshop has a &#13;
        specialist character, and space is limited. Please contact the registration &#13;
        desk to reserve a place if you have a particular interest in attending. &#13;
      &lt;/p&gt;&#13;
      &lt;p&gt;&lt;i&gt;Chair:&lt;/i&gt; Dr. Claire Connolly, Centre for Critical and Cultural Theory, &#13;
        Cardiff U. &lt;/p&gt;&#13;
      &lt;p&gt;&lt;i&gt;Participants: &lt;/i&gt;&lt;br&gt;&#13;
        Dr. Jacqueline Belanger, Centre for Editorial and Textual Research, Cardiff &#13;
        U.,&lt;br&gt;&#13;
        Monica Cullinane, Library UCD, &lt;br&gt;&#13;
        Dr. Magda Stouthamer Loeber, U of Pittsburgh,&lt;br&gt;&#13;
        Dr. Gerardine Meaney, Editor, &lt;i&gt;Field Day Anthology Vols. 4 &amp; 5&lt;/i&gt;, &#13;
        and others. &lt;/p&gt;&#13;
      &lt;hr noshade size="1"&gt;&#13;
      &lt;h4&gt;The Munster Women Writers Project &lt;/h4&gt;&#13;
      &lt;p&gt;The Munster Women Writers Project is a bibliographical research project &#13;
        currently underway at NUI, Cork. Part of an interdisciplinary, three-strand &#13;
        project on Women in Irish Society: Understanding the Past and Present &#13;
        Through Social Research and Archives, the project secured funding from &#13;
        the Irish Higher Education Authority in 1999. &lt;/p&gt;&#13;
      &lt;p&gt;&lt;i&gt;This conference is hosted by the HEA Munster Women Writers Project, &#13;
        NUI Cork&lt;/i&gt;&lt;/p&gt;&#13;
      &lt;hr noshade size="1"&gt;&#13;
      &lt;p&gt;Registration&lt;br&gt;&#13;
        contact Karen McSweeney at:&lt;br&gt;&#13;
        International Students Office &lt;br&gt;&#13;
        University College Cork&lt;br&gt;&#13;
        Ireland&lt;br&gt;&#13;
        &lt;/a&gt;tel: 353-21-4902918&lt;/p&gt;&#13;
      &lt;p&gt;&lt;br&gt;&#13;
        Registration: £15 or £10 students/unwaged &lt;/p&gt;&#13;
      &lt;p&gt;&lt;br&gt;&#13;
        &lt;i&gt;Please notify us by 30th June if you require cr&amp;egrave;che facilities. &#13;
        &lt;br&gt;&#13;
        Additional funding assistance from NUI, Cork Faculty of Arts, and Department &#13;
        of English, gratefully acknowledged.&lt;/i&gt;&lt;/p&gt;</text>
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              <text>&lt;b&gt;Note that this text is taken from a 2013 website  instance and hyperlinks may no longer be active.&lt;/b&gt;&#13;
      &lt;p&gt;&lt;b&gt;Directory of Sources for Women's History in Ireland: &lt;/b&gt;&lt;a href="http://www.nationalarchives.ie/wh/" target="_blank"&gt;http://www.nationalarchives.ie/wh&lt;/a&gt; &#13;
        &lt;br&gt;&#13;
        This directory of information sources relating to the history of women &#13;
        in Ireland contains information and descriptions of over 14,000 collections &#13;
        and sources in 262 repositories in the Republic of Ireland and in Northern &#13;
        Ireland. The directory is the result of a survey undertaken by &lt;a href="http://www.nationalarchives.ie/wh/whp.html" target="_blank"&gt;the &#13;
        Women's History Project&lt;/a&gt;.&lt;/p&gt;&#13;
      &lt;p&gt; &lt;b&gt;Attic Press / R&amp;oacute;is&amp;iacute;n Conroy Collection:&lt;br&gt;&#13;
        &lt;/b&gt;&lt;a href="http://booleweb.ucc.ie/search/subject/archives/atticpress.htm" target="_blank"&gt;http://booleweb.ucc.ie/search/subject/archives/atticpress.htm&lt;/a&gt; &#13;
        &lt;br&gt;&#13;
        The Archives of Attic Press were generated and collected by R&amp;oacute;is&amp;iacute;n &#13;
        Conroy as co-founder and publisher of Attic Press and as an activist in &#13;
        the Irish Women's movement. They were deposited in the Boole Library, &#13;
        University College, Cork by Conroy in 1997 and are now open for researchers &#13;
        to consult. The collection reflects the various facets of Conroy's career &#13;
        as a librarian and information officer, publisher, disseminator or information &#13;
        and campaigner for women's rights. The material dates from the early seventies &#13;
        to the 1990s. Those interested in using the archive should contact Carol &#13;
        Quinn at the Boole Library, UCC.&lt;/p&gt;&#13;
      &lt;p&gt; &lt;b&gt;The Fawcett Library: &lt;/b&gt;&lt;a href="http://www.lgu.ac.uk/fawcett/main.htm" target="_blank"&gt;&lt;br&gt;&#13;
        http://www.lgu.ac.uk/fawcett/main.htm&lt;/a&gt;&lt;br&gt;&#13;
        The Women's Library, formerly The Fawcett Library, is located at London &#13;
        Guildhall University. The library exists to document the changing role &#13;
        of women in society, in the past, now and in the future. It seeks to collect &#13;
        materials relating to the changing role of women in society and to make &#13;
        these available to personal and to remote users, however they make contact.&lt;/p&gt;&#13;
      &lt;h3&gt; Local Projects &lt;/h3&gt;&#13;
      &lt;p&gt;&lt;b&gt;Department of English, NUI Cork:&lt;/b&gt; &lt;br&gt;&#13;
        &lt;a href="http://www.ucc.ie/acad/depts/english" target="_blank"&gt;www.ucc.ie/acad/depts/english &#13;
        &lt;/a&gt;&lt;/p&gt;&#13;
      &lt;p&gt;&lt;b&gt;Munster Literature Centre: &lt;/b&gt;&lt;br&gt;&#13;
        &lt;a href="http://www.munsterlit.ie" target="_blank"&gt;www.munsterlit.ie &#13;
        &lt;/a&gt;&lt;br&gt;&#13;
        The Munster Literature Centre, Tigh Litriochta, based at 26 Sullivan's &#13;
        Quay, Cork is a resource centre established in 1993 to highlight, celebrate &#13;
        and promote all aspects of the literature of the Munster region. One of &#13;
        the main events hosted by the Centre is the annual &amp;Eacute;igse na gC&amp;uacute;ige &#13;
        writers festival held in the spring. Further information: &lt;a href="http://www.munsterlit.ie/Eigse/eigse.html" target="_blank"&gt;www.munsterlit.ie/Eigse/eigse.html&lt;/a&gt;&lt;/p&gt;&#13;
      &lt;p&gt; &lt;b&gt;Tigh Fil&amp;iacute;:&lt;/b&gt;&lt;br&gt;&#13;
        &lt;a href="http://www.tighfili.com" target="_blank"&gt;www.tighfili.com &#13;
        &lt;/a&gt;&lt;br&gt;&#13;
        Started out as a venture in 1985 by Cork Women's Poetry Circle (CWPC). &#13;
        From its origins as a group of women interested in writing, performing &#13;
        and publishing poetry, it has grown into an organisation which encompasses &#13;
        various aspects of the arts and publishing. &lt;/p&gt;&#13;
      &lt;h3&gt;Related Projects &lt;/h3&gt;&#13;
      &lt;p&gt;&lt;b&gt;A Celebration of Women Writers: &lt;/b&gt;&lt;br&gt;&#13;
        &lt;a href="http://www.digital.library.upenn.edu/women/" target="_blank"&gt;www.digital.library.upenn.edu/women &#13;
        &lt;/a&gt;&lt;br&gt;&#13;
        provides a listing of links to on-line information about women writers. &#13;
        The Celebration provides a comprehensive listing of links to biographical &#13;
        and bibliographical information about women writers, and complete published &#13;
        books written by women. &lt;/p&gt;&#13;
      &lt;p&gt;&lt;b&gt;Corvey Women Writers on the Web: An Electronic Guide to Literature &#13;
        1796-1834 &lt;/b&gt;&lt;br&gt;&#13;
        &lt;a href="http://www.shu.ac.uk/corvey/CW3/" target="_blank"&gt;www.shu.ac.uk/corvey/CW3. &#13;
        &lt;/a&gt;&lt;br&gt;&#13;
        A database containing material on women writers of the eighteenth and &#13;
        nineteenth centuries and literary works published by them, based on the &#13;
        holdings of the Corvey Library. It includes biographies, bibliographies, &#13;
        contemporary reviews and memoirs, images, synopses and keyword descriptions &#13;
        of texts, as well as new criticism and contextual material. &lt;/p&gt;&#13;
      &lt;p&gt;&lt;b&gt;The Women Writers Project at Brown University:&lt;/b&gt; &lt;br&gt;&#13;
        &lt;a href="http://www.wwp.brown.edu" target="_blank"&gt;www.wwp.brown.edu &#13;
        &lt;/a&gt;&lt;br&gt;&#13;
        is developing an electronic textbase of women's writing in English before &#13;
        1830. The aim of the project is to bring texts by pre-Victorian women &#13;
        writers out of the archive and make them accessible to a wide audience &#13;
        of teachers, students, scholars, and the general reader. &lt;/p&gt;&#13;
      &lt;p&gt;&lt;b&gt;The Victorian Women Writers Project:&lt;/b&gt;&lt;br&gt;&#13;
        &lt;a href="http://www.indiana.edu/%7Eletrs/vwwp/" target="_blank"&gt;www.indiana.edu/~letrs/vwwp &#13;
        &lt;/a&gt;&lt;br&gt;&#13;
        is producing transcriptions of literary works by nineteenth-century British &#13;
        women writers, encoded using the Standard Generalized Markup Language &#13;
        (SGML). The works, selected with the assistance of the Advisory Board, &#13;
        will include anthologies, novels, political pamphlets, religious tracts, &#13;
        children's books, and volumes of poetry and verse drama. Considerable &#13;
        attention will be given to the accuracy and completeness of the texts, &#13;
        and to accurate bibliographical descriptions of them. &lt;/p&gt;&#13;
      &lt;p&gt;&lt;b&gt;The Orlando Project: &lt;/b&gt;&lt;br&gt;&#13;
        &lt;a href="http://www.ualberta.ca/ORLANDO/" target="_blank"&gt;www.ualberta.ca/ORLANDO &#13;
        &lt;/a&gt;&lt;br&gt;&#13;
        is developing an on-line history of women's writing in the British Isles. &#13;
      &lt;/p&gt;&#13;
      &lt;p&gt; &lt;b&gt;The Perdita Project: &lt;/b&gt;&lt;br&gt;&#13;
        &lt;a href="http://www.human.ntu.ac.uk/perdita/PERDITA.HTM" target="_blank"&gt;www.human.ntu.ac.uk/perdita/PERDITA.HTM &#13;
        &lt;/a&gt;&lt;br&gt;&#13;
        is producing a database guide to about 400 sixteenth- and seventeenth-century &#13;
        manuscript archives compiled by women in the British Isles.&lt;/p&gt;&#13;
      &lt;/td&gt;&#13;
  &lt;/tr&gt;&#13;
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              <text>Project Background &lt;br&gt;&lt;br&gt;&#13;
The Munster Women Writers Project is a bibliographical research project currently underway at University College Cork. It is part of an interdisciplinary, three-strand project on Women in Irish Society: Understanding the Past and Present Through Social Research and Archives, which was awarded a significant research grant by the Higher Education Authority under the Programme for Research in Third Level Institutions (PRTLI 1) in 1999.&#13;
&lt;br&gt;&lt;br&gt;&#13;
This project is based on a collaborative relationship between the Departments of English, Sociology, and Applied Social Studies. The three interactive research projects constituting the overall programme were launched on February 18th, 2000 and aim to develop UCC as an international centre for excellence in research into women in Irish society. The projects seek to illuminate the transformation of women's lives in Irish society over time and place, through literary, sociological and applied social research. The research programme has been developed in direct partnership with the Boole Library at UCC, which houses the Attic Press Archive containing key documents of the Irish Women's Movement. The research will underpin the development of an international centre for research into women and Irish society, with the findings disseminated through electronic media, a seminar series, international conferences and publications. In addition, the projects intend to hold interdisciplinary seminars which will involve other departments from the Arts and Humanities interested in the information the project is generating.&#13;
&lt;br&gt;&lt;br&gt;&#13;
The other two strands of the project are:&#13;
Documents of the Irish Women's Movement, based in the Sociology Department, which will provide a critical analysis of the development of feminism and the women's movement in Ireland, focusing on the archive of the Irish Women's Movement which is located at the Boole Library, NUI Cork. The members of this project are Linda Connolly and Tina O'Toole.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Women and Social Policy: An Oral History Project, based in the Department of Applied Social Studies, which has undertaken a feminist oral history project focusing on the areas of family, work and politics. Analysis will consider how mediating factors such as gender, class and region impact on women's diverse experiences of social policy interventions. The members of this project are Máire Leane, Elizabeth Kiely and Marian Elders.&#13;
&lt;br&gt;&lt;br&gt;&#13;
The project as a whole, Women and Irish Society: Understanding the Past and Present through Social Research and Archives, aims to promote a much-needed cultural, social and political examination of women's lives in Ireland. Irish society has changed rapidly in recent years and is in a state of flux. Capturing diverse and interacting social, economic, cultural and political aspects of the transformation in Irish women's lives is a complex task. Some changes in the 1990s have been widely documented: rapid industrial development and the emergence of the Celtic Tiger; decline in institutional religion; increasing in-migration; a so-called cultural renaissance internationally; the expansion of the female work force; crisis in childcare provision; intensification of poverty in exceptionally marginalised groups; and fundamental transformation in family life. In particular, the changing political situation in Northern Ireland, since the Good Friday Agreement, poses an immense challenge to contemporary Irish society.&#13;
&lt;br&gt;&lt;br&gt;&#13;
External institutional links or active research partnerships are currently in place with the University of Ottawa, Canada; the University of Ulster at Magee; NUI Maynooth; University College Dublin; NUI Galway; Cardiff University; Queen's University Belfast; Trinity College Dublin; the University of Staffordshire; University College Northampton; the University of Keele; the Department of Government and Society, University of Limerick; and the University of Burgos, Spain. The Women and Irish Society Project continues to network these parallel research associations and cognate projects both nationally and internationally. In addition, it is proposed to build on the strong foundation of this current project by actively supporting similar research on women's lives and encouraging further research in this field, at University College Cork.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Project Aims&lt;br&gt;&lt;br&gt;&#13;
The Munster Women Writers Project has the following main aims:&lt;br&gt;&lt;br&gt;&#13;
To make available the basic materials for biographical and literary research and analysis on the extensive number of women writers with Munster backgrounds or strong Munster connections.&lt;br&gt;&lt;br&gt;&#13;
To make this bibliography available in the form of a published dictionary of Munster Women Writers, and a website. Our objective is to make more information on these writers available for future literary historians, feminist critics, and social historians to develop knowledge and understanding of this material.&lt;br&gt;&lt;br&gt;&#13;
To create links between those of us working in this field in Ireland, and parallel projects abroad.&lt;br&gt;&lt;br&gt;&#13;
To help generate a body of serious and innovative critical analysis by researchers in the field at Cork and elsewhere. Such analysis will explore the role of regional, class and gender factors in the formation and literary achievement of writers, and will pay attention to the intersection of these factors in the nature of the work produced.&lt;br&gt;&lt;br&gt;&#13;
To examine the way these factors intersect, using both the intellectual methods of contemporary feminist enquiry and the investigations into expressions of regional identity. This aspect of the project, the question of regional identity, is especially innovative.&lt;br&gt;&lt;br&gt;&#13;
By the development and visibility of the project itself to help locate further manuscript materials, in the form of family papers and private letters and journals, which will add to the body of knowledge and information on the subject&lt;br&gt;&lt;br&gt;&#13;
To hold during the life span of the project, scholarly seminars which will encourage the sharing and dissemination of information, knowledge and critical thought about the field.&#13;
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              <text>&lt;b&gt; Note that this text is taken from a 2013 website instance and hyperlinks may no longer be active.&lt;/b&gt;&#13;
&lt;br&gt;&lt;br&gt;&#13;
Bibliography&#13;
    &lt;br&gt;&#13;
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    London: Virago, 1988.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&#13;
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    &lt;p class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;font size="2" face="Verdana"&gt;Barry, &#13;
    Ann. A Select Biographical and Bibliographical Index of Clare Writers in &#13;
    Print. Ennis Library, April 1972.&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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    Patricia Clements, and Isabel Grundy, &lt;/font&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&#13;
    &lt;font size="2"&gt;eds. &lt;i&gt;The Feminist Companion to Literature in English: &#13;
    Women Writers from the Middle Ages to the Present&lt;/i&gt;.&amp;nbsp; London: Batsford, &#13;
    1990. &lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&#13;
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&amp;nbsp;&lt;/td&gt;&#13;
  &lt;tr&gt;&#13;
    &lt;td&gt; &#13;
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              <text>&lt;b&gt;Research Team &amp; Advisory Panel&lt;/b&gt;&#13;
&lt;br&gt;&#13;
Patricia Coughlan, Project Leader&lt;br&gt;&#13;
Associate Professor at the Department of English, NUI Cork. Her research and publications have been in four main areas: 16th- and 17th-century writings, especially English writings about Ireland, and with a focus on Spenser's work and colonial discourse; 19th-century Irish literature, especially Gothic (Maturin, Mangan, Le Fanu); on representations of gender and sexuality in 20th-century Irish literature; and on Beckett's poetry and Irish modernism in the 1930s. Her publications include an edited book on Spenser and Ireland: an interdisciplinary perspective (Cork U.P., 1989) and a co-edited book (with Alex Davis) on Modernism and Ireland: the Poets of the 1930s, (Cork U.P., 1995) as well as numerous essays and articles on the above topics.&#13;
&lt;br&gt;&lt;br&gt;&#13;
&#13;
Éibhear Walshe, Project Leader&lt;br&gt;&#13;
Lecturer at the English Department on Anglo-Irish literature, and he is the Director of the International Summer School in Irish Studies at NUI Cork. His research interests lie in the area of Modern Irish Literature, with particular interest in John Banville, Tom Murphy, Kate O'Brien, Elizabeth Bowen, G.B.Shaw, Oscar Wilde, Teresa Deevy, and Micheál MacLiammóir. He was the Academic Director of the International Shaw School 1993-97, one of the co-ordinators of the Elizabeth Bowen Conference in Cork 1996-99, and the Seán O'Faoláin Conference in 2000. He has edited collections of essays on the work of Kate O'Brien, Ordinary People Dancing (Cork UP, 1993), and Elizabeth Bowen, Elizabeth Bowen Remembered, (Four Courts Press, 1999), and his forthcoming biography on O'Brien is due to be issued by Cork University Press. More generally he has published in the area of Irish Lesbian and Gay Writing, and edited the collection of essays Sex, Nation and Dissent in Irish Writing (Cork UP, 1997). He is a section editor in the forthcoming fourth volume of The Field Day Anthology of Irish Writing.&lt;br&gt;&lt;br&gt;&#13;
&#13;
Tina O'Toole, Project Researcher&lt;br&gt;&#13;
Post-doctoral fellow at the Department of English, NUI Cork, Tina is a graduate of the English Department and WERRC, UCD. While at UCC, she lectured and tutored at undergraduate and postgraduate level, predominantly in the fields of twentieth-century Anglo-Irish literature and film. She co-organised the Elizabeth Bowen Conferences 1996 and 1997 with Éibhear Walshe. She also worked on a parallel strand of the Women in Irish Society project, with Linda Connolly at the Department of Sociology: a scholarly analysis of the documents of the Irish Women's Movement (see www.ucc.ie/wisp/aboutw.html) As a result of this project, in 2001 she was awarded a visiting research fellowship in Women's Studies at the University of Ottawa, where she carried out a comparative study of key themes in the Canadian and Irish Women's Movements. Subsequently, she held an IRCHSS Government of Ireland post-doctoral fellowship at UCC and an Irish Studies fellowship at Queen’s University Belfast, before going to work as a lecturer in English at the University of Limerick in 2004.&#13;
&lt;br&gt;&lt;br&gt;&#13;
June O'Sullivan, Part-Time Researcher&lt;br&gt;&#13;
June is from Newcastle West, Co. Limerick. She graduated from UCC with a BA in English and French in 2000, and an MA in English in 2001. Her MA thesis was on the work of Edna O'Brien.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Kalene Nix-Kenefick&lt;br&gt;&#13;
Kalene Nix-Kenefick completed an MA in English at UCC in 2001. Her thesis was on women writers in The Bell magazine (1940-1954) and she is now starting a PhD on a number of lesser-known Munster women writers who were 'discovered' in the course of research for this project. She was awarded a Government of Ireland PhD Scholarship for this work.&#13;
 &lt;br&gt;&lt;br&gt;&#13;
&lt;b&gt;Advisory Panel&lt;/b&gt;&lt;br&gt;&#13;
The Munster Women Writers Project is a collaborative piece of research, working co-operatively across a range of disciplines, in the design, research and execution of the bibliography. The attendant discussions and exchange of information with colleagues expert in the field who have lent their support to the project has already set a precedent in terms of Irish literary research. Scholars working in both English and Irish, from both Ireland and Britain, have given most generously of their time and expertise throughout this project. In addition to those who constitute the formal advisory panel of the project, listed below, we owe a debt of gratitude to the many others who have assisted us in this work.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Angela Bourke &lt;br&gt;&#13;
Senior Lecturer in Irish at UCD, and has also taught at Harvard University, Boston College and the University of Minnesota, Minneapolis. She is the author of The Burning of Bridget Cleary: A True Story (London: Pimlico, 1999; New York: Viking 2000), of Caoineadh na dTrí Muire: Téama na Páise i bhFilíocht Bhéil na Gaeilge (Baile Átha Cliath: An Clóchomhar, 1983, as Angela Partridge), and of a collection of short stories, By Salt Water (Dublin: New Island, 1996), as well as of many articles and essays in Irish and English. She is one of eight panel editors of the forthcoming Field Day Anthology vols 4 &amp; 5: Women's Writing and Traditions (Cork: Cork University Press, due autumn 2001).&#13;
&lt;br&gt;&lt;br&gt;&#13;
Mary Breen &lt;br&gt;&#13;
Co-ordinator of the Certificate and Diploma in Women's Studies, and the Academic Advisor to Visiting Students at the Department of English, NUI Cork. She teaches 20th century Irish writing, specifically the work of Kate O'Brien, Edna O'Brien, and John Banville. However, her specialist area is late eighteenth and early nineteenth century Irish women writers, and she is currently working on a Ph.D. on the work of Dorothea Herbert.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Claire Connolly &lt;br&gt;&#13;
Lecturer in English Literature and Cultural Criticism at Cardiff University. She has published essays on Maria Edgeworth and Edmund Burke, as well as editions of Maria Edgeworth's Letters for Literary Ladies (1991), Ormond, Manoeuvring, and Vivian (1999), and Sydney Owenson's The Wild Irish Girl (co-edited with Stephen Copley, 2000). Currently on of the general editors of The European Journal for English Studies, she edited a special issue of the journal in 1999 on the topic of post-colonial Ireland.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Roz Cowman &lt;br&gt;&#13;
Roz is a poet, and a lecturer in Women's Studies at NUI Cork. Her poems and reviews have appeared in many literary magazines and anthologies. She won the Arlen House/Maxwell House award in 1982, the same year in which she received an Arts Council bursary. In 1985 she won the Patrick Kavanagh Award for poetry. Her first collection of poetry is The Goose Herd (Salmon 1989).&#13;
&lt;br&gt;&lt;br&gt;&#13;
Jennifer FitzGerald&lt;br&gt;&#13;
Senior Lecturer in the School of English at Queen's University, Belfast. She has recently published on the work of Toni Morrison, and is currently engaged in a critical re-evaluation of the work of Helen Waddell.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Anne Fogarty &lt;br&gt;&#13;
Lecturer in the English Department at NUI Dublin, where she is also the current Chair of the Board of Studies for Women's Studies. The Director of the James Joyce Summer School, she has published essays on Joyce, Yeats, Augusta Gregory, Kate O'Brien, Denis Devlin, and Maria Edgeworth and on many aspects of contemporary Irish women's poetry and fiction.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Margaret Kelleher &lt;br&gt;&#13;
Lectures in English at NUI Maynooth. She is the author of The Feminization of Famine (Cork UP, 1997) and co-editor (with James H. Murphy) of Gender Perspectives in Nineteenth-Century Ireland (Irish Academic P, 1997). She is currently working on a study of the publication contexts of nineteenth-century Irish women's fiction.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Clíona Ó Gallchóir &lt;br&gt;&#13;
Lectures on eighteenth-century literature at the Department of English, NUI Cork. She has published articles on Maria Edgeworth, and is the co-editor of Helen for Pickering, and Chatto's Novels and Selected Works of Maria Edgeworth, as well as editing Women, Writing and the Public Sphere, 1700-1830 (co-edited with Elizabeth Eger, Charlotte Grant, and Penny Warburton). She is currently working on a book exploring questions of gender and national culture in Edgeworth's work.&#13;
&lt;br&gt;&lt;br&gt;&#13;
&#13;
Gerardine Meaney &lt;br&gt;&#13;
Director of the Centre for Film Studies at NUI Dublin. She is an editor of the forthcoming fourth volume of the Field Day Anthology of Irish Women's Writing, and the author of (Un)Like Subjects: Women, Theory, Fiction (Routledge, 1993). She has written extensively on feminist theory and Irish women's writing, and more recently on Irish cinema.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Antoinette Quinn &lt;br&gt;&#13;
Lecturer at the English Department, Trinity College Dublin. A specialist in 20th century Anglo-Irish Literature, particularly Irish women's writings, she is the editor of the section on 'Women and Irish Literary Nationalism' of the forthcoming Field Day Anthology of Irish Women's Writing. She is currently working on a biography of Patrick Kavanagh.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Shaun Richards&lt;br&gt;&#13;
Lectures at the University of Staffordshire, has worked in Irish Studies from the early 1980s when he was a founder member and first Treasurer of the British Association of Irish Studies, on whose Council he now serves as a member. He is also a member of the editorial board of Irish Studies Review. His co-authored book ( with David Cairns), Writing Ireland (1988), was an influential contribution to the development of a theorized approach to Irish Studies, particularly through its application of the work of Edward Said and Antonio Gransci to the Irish context. Subsequent publications have been primarily on Irish drama with articles and book chapters on the major figures such as Yeats, Synge, O'Casey, and Friel as well as lesser known playwrights such as Teresa Deevy and Dermot Bolger; these, and review articles, have been published in the main journals of Irish (Literary) Studies, including Irish University Review, Irish Studies Review, Irish Review, Bullán and Études Irlandaises. Among his current projects are a monograph on Modern Irish Drama and the editing of the Cambridge Companion to Modern Irish Drama.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Pádraigín Riggs, NUI Cork&lt;br&gt;&#13;
Statutory Lecturer, Department of Modern Irish, UCC. Teaching &amp; research interests: modern Irish literature, narrative theory, oral tradition, Irish poetry tradition. Published: Donncha Ó Céileachair (1978), Pádraic Ó Conaire, Deoraí (1994) as well as various articles &amp; reviews on the short story, the contemporary novel, 20th Century poetry in Irish.&#13;
&lt;br&gt;&lt;br&gt;&#13;
Elizabeth Tilley &lt;br&gt;&#13;
Lectures at the English Department, NUI Galway. Her main areas of interest are nineteenth century Gothic literature and writing by women; North American fiction; nineteenth century serials and periodical production.</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Towards a Feminist Literary History Conference Poster 1</text>
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            <description>The topic of the resource</description>
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                <text>Munster Women Writers</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text> MWW Conference Poster, July 20-22, 2001.&#13;
Venue: University College, Cork</text>
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                <text>Munster Women Writers Project, University College Cork</text>
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                <text>O'Toole, Tina</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>CC BY-NC-SA 4.0</text>
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              <elementText elementTextId="1957">
                <text>Munster, Ireland, 1800-2000</text>
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            <name>Creator</name>
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                <text>O'Toole, Tina</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Women in Irish Society Project, University College Cork</text>
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        <name>Conferences</name>
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        <name>Posters</name>
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